Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .
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Julie April 2, obfadors 2: Ben April 2, at 4: The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. I wonder if the quickly repeated notes that are so difficult on the piano are an example of “punteado” as was described by Kimball in the vkto.
Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song.
Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)
She communicates so much with just her eyes. I love this piece!!!
Underlying the melody is a sense of danger, and I love how Berganza draws the listener in. It embodies so much of what one expects of the “Spanish” sound.
Sarah Benzinger April 5, at Ednaldo Borba April 12, at 1: How exciting when the images are so clear from listening to a piece. Dylan Bunten April 9, at 9: Shannon McAleb April 5, at The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece. Emma Lynn April 8, at 5: As is the case with all of Teresa Berganza’s performances that have been shared, she has an amazing expressive power and genuine performance persona that is impeccable.
El vito – Wikipedia
This piece does viro end how I would have expected. The piano is very reminiscent of the guitar with the repetitions, and the singer uses her face very well to interpret the text. And I really like Teresa Berganza’s facial expressions and body language in here. The pianist in the performance did an excellent job of emulating a guitar with rhythmic clarity and precision.
I love the, as Abby put it, crispness of this piece and I love the way it exists intimately with the passion. It looks so fun to perform. It was also nice to hear a performance with a different dialect than Spanish from Spain or Mexico, which is what I’ve typically heard this piece performance.
Another interpretation where the rhythmic vigor relies much more on crispness and precision than in weight of accents. I can really hear the inspiration from the guitar.
I vitl the rhythmic energy and drive of this music. I really can imagine a woman in a sea of bullfighters. Sunday, March 22, “El vito” by Obradors.
Berganza has a lovely sense of line, and the soft stacatti sections almost feel like teasing.
Fernando Obradors – Wikipedia
It feels less like a dance until Berganza comes in. How to navigate this site: The drama and excitement is gripping and vigo much sounds like something that would appeal to bull fighters.
Beverly April 8, at 8: I love this piece and have Sierra’s sparkling eyes in mind as I was listening. It kind of feels not quite finished even though the way the pianist played the final chords would indicate an end. The rhythmic impulse in this piece is absolutely driving and unrelenting. It is vvito an effective performance.
This seems like a really fun song to perform.